Tokushima University / Educator and Researcher Directory --- Schiedges, Olaf

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Tokushima University ⟩ Graduate School of Technology, Industrial and Social Sciences ⟩ 社会総合科学域 ⟩ 国際教養系 ⟩ 英語圏分野 ⟩
Tokushima University ⟩ Faculty of Integrated Arts and Sciences ⟩ Department of Integrated Arts and Social Sciences ⟩ Comparative Studies in Society and Culture ⟩
Tokushima University ⟩ Graduate School of Sciences and Technology for Innovation ⟩ Regional Development ⟩

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Research

Field of Study

○
○	Japanese Literature (Murakami Haruki Studies), German Literature, Japanese Cinema, Spatial studies, German as Foreign Language

Subject of Study

○	(literature)
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Book / Paper

Book:

1.	Olaf Schiedges : Die Raumordnung in ausgewaehlten Romanen des japanischen Schriftstellers Murakami Haruki, --- Beitraege zur kulturwissenschaftlichen Sued- und Ostasienforschung (6) ---, Ergon Verlag, Wuerzburg, 355 S., Oct. 2016. (Keyword) Japanese literature / Murakami Haruki / Cultural theory / Spatial theory

Academic Paper (Judged Full Paper):

1.	Olaf Schiedges : Jurij Lotmans Theorie der Raumsemantik als methodischer Beitrag zur Analyse literarischer Texte, Beitraege zur Deutschen Literatur, Kultur und Sprache, No.56, 21-37, 2023.
2.	Olaf Schiedges : A Spatial Approach to the Fictional World of Murakami Haruki, In Statu Nascendi - Journal of Political Philosophy and International Relations, Vol.5, No.1, 185-193, 2022.
3.	Olaf Schiedges : Intermediales Erzaehlen am Beispiel des Grossstadtromans "After Dark" (2004) des japanischen Schriftstellers Murakami Haruki, Bulletin of the Foreign Language Center Tokai University, No.35, 37-48, 2014. (Keyword) Japanese literature / Murakami Haruki / Media theory
4.	Olaf Schiedges : Franz Kafka und die Rolle der Medien im Roman "Das Schloss", Bulletin of the Foreign Language Center Tokai University, No.34, 73-82, 2013. (Keyword) German literature / Franz Kafka / Media theory
5.	Olaf Schiedges : Zur Translation bildlicher Rede vom Deutschen ins Japanische am Beispiel des Romans "Komm, suesser Tod" (1998) von Wolf Haas, Studien zur deutschen Literatur und Sprache, Japanische Gesellschaft fuer Germanistik, No.40, 103-124, 2009. (Keyword) Austrian literature / Translation

Academic Paper (Unrefereed Paper):

1.	Olaf Schiedges : Zur Theorie des filmischen Raums (Teil 2), Journal of Language and Literature, Vol.31, 53-110, 2023.
2.	Olaf Schiedges : Zur Theorie des filmischen Raums (Teil 1), Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, Vol.30, 13-54, 2022. (Summary) This article is the first part of a two-part text that aims to introduce film theorists who attempted to make the phenomena of cinematic space theoretically comprehensible. Hugo Münsterberg (1863-1916), Erwin Panofsky (1892-1968) and Vsevolod Pudovkin (1893-1953) were theorists who have experienced the spread of film from the beginning and have dealt with the significance of film for culture and society. The means of montage was of particular interest in early theoretical considerations because it had been recognised that the filmmaker can manipulate space and time by means of montage. Bela Balazs (1884-1949) was concerned with recognising film as popular art that creates culture which, in his view, permeates reality and contributes to the emergence of a visual culture. Walter Benjamin (1892-1940) believed that the social significance of film lies in a change in collective perception. Rudolph Arnheim (1904-2007) was interested in phenomena such as surface and depth, which he viewed from the perspective of Gestalt psychology. He emphasised the spatial autonomy of film compared to theatre, which would only be maintained as long as film did not attempt to create a second real space. For Siegfried Kracauer (1889-1966), film was always a special form of reality, which is why he was concerned with the representation of physical reality through the cinematic medium, as well as with the question of what attributes ultimately constitute a film. The article ends with a look at André Bazin's (1918-1958) understanding of cinematic space. For Bazin, who regarded the deformation of space as a fundamental characteristic of film realism, characters, objects, and events are always parts of the cinematic space. One can banish every reality from the film image, Bazin stated, except one: that of space. (Tokushima University Institutional Repository) ● Metadata: 117881 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050294562444023552 (Tokushima University Institutional Repository: 117881, CiNii: 1050294562444023552)
3.	Olaf Schiedges : Der japanische Film - Von der amerikanischen Besatzung bis zur Gegenwart, Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, Vol.29, 79-146, 2021. (Tokushima University Institutional Repository) ● Metadata: 116644 (Tokushima University Institutional Repository: 116644)
4.	Olaf Schiedges : Der japanische Film : Von der Einführung des Mediums bis zum Ende des Zweiten Weltkriegs, Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, No.28, 47-138, 2020. (Summary) The article first covers pre-war silent film in Japan and describes the introduction of the new medium at the beginning of the 20th century. The main focus is on the relationship between Japanese silent films and traditional theater, the role of film narrators (benshi) and the attempts of Japanese filmmakers to establish film as an independent art. The article then moves on to the further development of Japanese films about historical (jidaigeki) and contemporary society (gendaigeki), containing analysis of different film genres such as Japanese tendency films (keikô eiga) which were a reaction to the worsening economic situation of large parts of the Japanese population at the end of the 1920s. The text then deals primarily with the introduction of sound in film and the further development of the Japanese film industry during the 1930s, while the counrtry underwent a political radicalization and militarization which led to the participation of Japan in World War 2. Finally, the text analyses the circumstances under which the Japanese film industry produced films during World War 2 when film production was severely restricted by the guidelines of state censorship. (Tokushima University Institutional Repository) ● Metadata: 115556 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050850569096683648 (Tokushima University Institutional Repository: 115556, CiNii: 1050850569096683648)
5.	Olaf Schiedges : Über den Übersetzer Murakami Haruki, Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, No.27, 63-98, 2019. (Summary) Murakami Haruki is very well known as a popular writer in the world. But in Japan, where translation has a long history and translated literature had always a great impact on the national literature, he is also famous as a translator of works of American writers. For Murakami translation was a very important means to find his own writing style. This paper is focusing on Murakami's role as a translator by taking a closer look at the mutual relationship of writing and translating in Murakami's work. Murakami's translation of J. D. Salinger's novel "Catcher in the Rye" will serve as an important example of this relationship. (Tokushima University Institutional Repository) ● Metadata: 114148 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050564289223191296 (Tokushima University Institutional Repository: 114148, CiNii: 1050564289223191296)
6.	Olaf Schiedges : Das gespaltene Ich - zur dissoziativen Identitaetsstoerung literarischer Figuren in den Texten des japanischen Schriftstellers Murakami Haruki, Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, Vol.26, 35-71, 2018. (Keyword) Murakami Haruki / Japanese literature / Psychoanalytic literary studies (Tokushima University Institutional Repository) ● Metadata: 112889 (Tokushima University Institutional Repository: 112889)
7.	Olaf Schiedges : Zum Einsatz von Sprachlernspielen im Deutschunterricht, The Report of the Foreign Language Center Tokai University, No.33, 61-68, 2013. (Keyword) German language education
8.	Olaf Schiedges : Ueber Moodle im Deutschunterricht an der Tokai Universitaet, The Report of the Foreign Language Center Tokai University, No.32, 67-76, 2012. (Keyword) German language education / Moodle
9.	Olaf Schiedges : Zur Rolle von Strategien in Pruefungen im Bereich Deutsch als Fremdsprache (DaF) - am Beispiel des Oesterreichischen Sprachdiploms Deutsch (OeSD), The Report of the Foreign Language Center Tokai University, No.30, 41-50, 2010. (Keyword) German language education / German Proficiency Test
10.	Olaf Schiedges : Zur strategischen Kompetenz im Unterricht Deutsch als Fremdsprache, Bulletin of the Prefectural University of Aichi, No.42, 251-273, 2010. (Keyword) German language education
11.	Olaf Schiedges : Der "internationale" Stil von Murakami Haruki, Bulletin of the Prefectural University of Aichi, No.41, 255-277, 2009. (Keyword) Japanese literature / Murakami Haruki
12.	Olaf Schiedges : Das Phaenomen der Zweituebersetzung - Am Beispiel eines Romans von Murakami Haruki, Bulletin of the Prefectural University of Aichi, No.40, 275-302, 2008. (Keyword) Japanese literature / Murakami Haruki / Translation
13.	Olaf Schiedges : Schriftsteller als Uebersetzer - am Beispiel des japanischen Schriftstellers Murakami Haruki, Bulletin of the Prefectural University of Aichi, No.39, 297-323, 2007. (Keyword) Japanese literature / Translation theory
14.	Olaf Schiedges : Aspekte der Postmoderne in dem Roman "Wilde Schafsjagd" von Murakami Haruki, Bulletin of the Prefectural University of Aichi, No.38, 253-280, 2006. (Keyword) literature / Postmodern theory

Proceeding of Domestic Conference:

1.	Olaf Schiedges : Zur Struktur des Raums in den Texten von Murakami Haruki, Zentrum für Japan Studien in Kyoto/Deutschsprachige Japanologie in Kansai, Jul. 2017.
2.	Olaf Schiedges : Murakami Haruki as global literature, University of Kochi International Japan Studies Lecture Series No. 39, Nov. 2016. (Keyword) Japanese literature / Murakami Haruki
3.	Olaf Schiedges : ドイツ語教育と異文化理解について, Jun. 2015. (Keyword) ドイツ語学習 / 異文化理解
4.	Olaf Schiedges : ムードルと外国語学習, Jan. 2011. (Keyword) Moodle / German as Foreign Language
5.	Olaf Schiedges : インターネットを取り入れた充実した学習環境作り, Nov. 2009.
6.	Olaf Schiedges : Aspekte von Pruefungen und Unterricht - Das oesterreichische Sprachdiplom Deutsch, 日本独文学会秋研究発表会, Oct. 2009. (Keyword) German as Foreign Language / Language Proficiency Test
7.	Olaf Schiedges : Japanische Literatur in Deutschland - Deutsche Literatur in Japan, Jun. 2007.
8.	Olaf Schiedges : Japanische Literatur in Deutschland - Am Beispiel von Murakami Haruki, Oct. 2004. (Keyword) Japanese literature
9.	Olaf Schiedges : Merkmale des Deutschunterrichts mit Aussiedlern, Jul. 2004. (Keyword) German as Foreign Language

Report:

1.	Olaf Schiedges : Merkmale des Oesterreichischen Sprachdiploms (OeSD), Studien zur Deutschen Sprache und Literatur, Japanische Gesellschaft fuer Germanistik, No.41, 81-95, Oct. 2010. (Keyword) German language education / Proficiency test
2.	Olaf Schiedges : Das oesterreichische Sprachdiplom Deutsch (OeSD), Lektorenrundbrief, No.37, 7-8, May 2010. (Keyword) German Proficiency Test

Grants-in-Aid for Scientific Research (KAKEN Grants Database @ NII.ac.jp)

Search by Researcher Number (70580819)