Tokushima University / Educator and Researcher Directory --- Kataoka, Keiichi

Personal Web Page

https://researchmap.jp/read0157068 (researchmap)

Field of Study

○	Musicology

Subject of Study

○	study on symbolic expression in music of J.S.Bach, study on the construction of (school-)music-education-learning (J.S.Bach, music, symbolic expression, (school )music education learning, construction) ((1)J.S.Bachの音楽には，キリスト教の文化を土台とした種々の象徴的表現が認められる．その表現方法は，時代，民族，宗教，文化等の違いを超えて，あらゆる人々に訴えかける普遍的な音楽的説得力を有している．彼の音楽の象徴的表現に関する研究を今後も更に深めると共に，音楽の本質に関する美学的考察も併せて行ってゆきたい． (2)音楽(科)教育学の学としての構造のありかたはどのようなものであるべきかという問題についての研究は，現在研究途上にある．同問題に関する考察を今後とも深めてゆきたい．)

Book / Paper

Book:

1.	Syuppankyoku Kirisutokyodan Nihon and Keiichi Kataoka : Bach's organworks and symbol - symbolic expression in <Orgelbuchlein >, Nihon Kirisutokyodan Syuppankyoku, Tokyo, Feb. 1996. (Keyword) J.S.Bach / Orgelbuchlein / symbolic expression
2.	Masatake Kanemoto and Keiichi Kataoka : Sonare Ongakukakyoikujissenkoza No.15 Ongakukakyoikunodoko, Kabushikigaisya Nitibun, Tokyo, May 1992. (Keyword) education of music as subject in school / 実践と理論の連携
3.	Usaburou Mbuchi and Keiichi Kataoka : Vocal Music-Works in the Muhlhausen Period of Johann Sebastian Bach : from the Viewpoint of Symbolic Expression, Ongaku No Tomo Sha, Tokyo, Dec. 1990. (Keyword) J.S.Bach / vocal music-works / Muhlhausen-period / Symbol

Academic Paper (Unrefereed Paper):

1.	Keiichi Kataoka and Hosoda Hidekazu : A Study of Brahms' <Ein Deutsches Requiem>-from a Viewpoint of the Symbolic Expression -Studies on Johann Sebastian Bach' s Works-, Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.14, 43-76, 2007. (Keyword) J.Brahms / J.S.Bach / symbolic expression (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520853833624813696 (CiNii: 1520853833624813696)
2.	Keiichi Kataoka : A Study on the Parody of the Secular-Cantata No.215<Preise dein Glucke, gesegnetes Sachsen>(BWV215)(the First Tune)and<Messe in h-moll>(BWV232)(the Twentythird Tune and the Twentyfifth Tune as the Repeat-Part) (Osanna in Excelsis), Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.12, 67-74, 2005. (Summary) In this study,I investigated the parody-relation of the secular-cantataNo.215<Preise dein Glücke，gesegnetes Sachsen> (BWV 215) (the first tune) and<Messe in h-moll> (BWV 232) (the twentythird tune and the twentyfifth tune asthe repeat-part) (Osanna in excelsis).As a result of this study，I could confirm that Bach did the parody very naturallyand large-heartedly on his mature and pure-musical conception，as the both worksare quite alike in these feelings and the atmosphere of these text.Further，I could recognize the symbolic technique of number on 3 and thesimple symbolic technique of a sensuous level. (Keyword) the Secular-Cantata No.215<Preise dein Glucke, gesegnetes Sachsen>(BWV215)(the First Tune) / <Messe in h-moll>(BWV232)(the Twentythird Tune and the Twentyfifth Tune as the Repeat-Part)(Osanna in Excelsis) / Parody (Tokushima University Institutional Repository) ● Metadata: 45103 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050282812440385920 (Tokushima University Institutional Repository: 45103, CiNii: 1050282812440385920)
3.	Keiichi Kataoka : A Study of the Cantata No.215 <Preise dein Glucke, gesegnetes Sachsen>(BWV215), Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.11, 93-118, 2004. (Summary) In this study，I mainly investigeated the symbolic expressionof the cantata NO.215 <Preise dein Glücke，gesegnetes Sachsen>(BWV215).As a result of this study，I understood the symbolic expression ofthe cantata NO.215 was not all over found out precisely，but meltedlarge - heartedly in the pure-musical idea.Now，after this，I should like to study the parody-relation of thecantata NO.215 and (Messe in h-moll) (BWV232). (Keyword) J.S.Bach / symbolic expression / Cantata No.215 / parody (Tokushima University Institutional Repository) ● Metadata: 40749 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050845762393803648 (Tokushima University Institutional Repository: 40749, CiNii: 1050845762393803648)
4.	Keiichi Kataoka : A Study on the Parody of the Church- Cantata No.12 <Weinen, Klagen, Sorgen, Zagen>(BWV12-the Second Tune-) and <Messe in h-moll -Crucifixus->(BWV232 -the Seventeenth Tune-), Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.10, No.0, 145-152, 2003. (Summary) In this study，I considerd the parody-problem of 2 tunes (the second tuneof church-cantata No.12 (BWV12) and the sevevteenth tune of (Messe inh-moll) (BWV232)).I examined both tunes synthetically and minutely from the viewpoint ofbar-number，cycle and melody pattern of chacconne，tonality，kind andusing-way of accompaniment-instrument，contents and arrangement of text andchanges of tune-construction...As a result of this study，in Bach's parody-working to (Messe in h-moll)，I understood that Bach did the parody in earnest and he completed theuniversal and deep masterpiece，and his parody-working is always in harmonywith the world of symbolyc expression.Now，after this，I should like to continue to study the problems of parody bythe consideration of another part of parody-working of (Messe in h-moll). (Keyword) J.S.Bach / parody / symbolic expression / Cantata No.12 / Messe in h-moll (Tokushima University Institutional Repository) ● Metadata: 37028 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050564287417089152 (Tokushima University Institutional Repository: 37028, CiNii: 1050564287417089152)
5.	Keiichi Kataoka : A Study of the Church Cannta No.12 <Weinen, Klagen, Sorgen, Zagen>(BWV12), Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.9, No.0, 119-129, 2002. (Summary) This study follows my old ones on symbolic expression of J.S. Bach's music.In it，I started that the study of the problems on Bach's parody. This time，Iinvestigated the church cantata NO.12 in detail, and examined the contents of itssymbolic expression.(The cantata NO.12 was composed at 1714，and it was prodied to Messe inh-moll=Crucifixus⋯ as the oldest work.)As a result of this study，I understood that the cantata NO.12 is a mature workhabing almost all symbolic method of Messe in h-moll.Now，I should like to continue this study and investigate the parody-referenceof both works. (Keyword) church cantata No.12 <Weinen,Klagen, Sorgen, Zagen>(BWV12) / symbolic expression / J.S.Bach (Tokushima University Institutional Repository) ● Metadata: 32856 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050564287417085312 (Tokushima University Institutional Repository: 32856, CiNii: 1050564287417085312)
6.	Keiichi Kataoka : A Study of Messe in h-moll (BWV232) -on the Whole Organization of One- (Pt.3), Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.8, 81-110, 2001. (Summary) In this study，I considered the whole organization of Messe in h-moll，being founded on myold studies .→(1) A Study of Messe in h-moll (BWV 232) -General Consideration on theLocation of the Point at Issue basing on the Viewpoint of Symbolic Expression-，Journal of HumanScinces and Arts Faculty of Integrated Arts and Sciences The University of Tokushima Vo1.5 1998Tokushima，Japan pp.153-169 (2) A Study of Messe in h-moll (BWV232) -on theWhole Organization of One-，Journal of Human Sciences and Arts Faculty of Integrated Arts andScinces The University of Tokushima Vol.6 1999 Tokushima，Japan pp.159-208 (3) AStudy of Messe in h-moll (BWV 232) -on the Whole Organization of One- (Series)，Journal of Human Scinces and Arts Faculty of Integrayed Arts and Sciences The University ofTokushima Vol.7 2000 Tokushima，Japan pp.65-113In Chapter Ⅰ，I considered Messe in h-moll from the general viewpoint. (Paragraph 1→The circumstances of coming into existence on Bach's Messe in h-moll (theexistence-year，the intention of composition) ，Paragraph 2→ the structure ofMesse in h-moll (the method of arrangement and organization，the problemson the mental world) )In Chapter I，I considered each tune of Messe in h-moll from the sectional viewpoint.(Paragraph 1→ key， Paragraph 2→ time， Paragraph 3→ the number of the part， Paragraph 4→thenumber of the bar， Paragraph 5→the method of composition)In Chpter Ⅲ，I wrote the conclusion according to the contents of Chapter Ⅰ・Ⅱ .→(1)Bach compiled his last work (Messe in h-moll) ， being resigned to death. (2) In Messein h-moll， all of Bach's view of life・religion・art・music are embodied with the highest level.(3) In this work， we can't find the useless points and the real musical world is in perfectlyharmony with the Christian-metaphysical one. (4) Messe in h-moll is the ecumenical workwhich is Catholic though it is based on the Protestant thoughts. (5) This work is very attractiveand universal，so it is loved by the people of every period，race，religion and culture. (6) WhenI look over this work from the symbolic viewpoint，it seems to me that the all symbolic elementsare contained in it，so I think that we can almost understand the attraction and the university of itby the keyword SYMBOL. (7) It seems to me that the words in this work takea role of the native and original symbol.Now，after this, I should like to study the problems of parody， that is tosay, to study the tunes which are the foudations of Messe in h-moll and through its study, to deepen my understanding on one. (Keyword) Messe in h-moll / organization / symbolic expression / J.S.Bach (Tokushima University Institutional Repository) ● Metadata: 29140 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050564287417083264 (Tokushima University Institutional Repository: 29140, CiNii: 1050564287417083264)
7.	Keiichi Kataoka : A Study of Messe in h-moll (BWV232) :On the Whole Organization of One (Series), Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.7, 65-113, 2000. (Keyword) Messe in h-moll / organization / symbolic expression (Tokushima University Institutional Repository) ● Metadata: 25784 (Tokushima University Institutional Repository: 25784)
8.	Keiichi Kataoka : A Study of Messe in h moll (BWV232) -On the Whole Organization of One-, Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.6, 159-208, 1999. (Keyword) Messe in h-moll / organization / symbolic expression / J.S.Bach (Tokushima University Institutional Repository) ● Metadata: 22707 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050845762393779072 (Tokushima University Institutional Repository: 22707, CiNii: 1050845762393779072)
9.	Keiichi Kataoka : A Study of <Messe in H-moll> -General Consideration on the Location of the Point at Issue basing on the Viewpoint of Symbolic Expression-, Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.5, 153-169, 1998. (Summary) This study follows my old ones on symbolic expression of J.S. Bach's music.To embody the subtitle of this study，I referred to the circumstances of coming into existenceon <Messe in h-moll> in Chapter Ⅰ，and in Chapter Ⅱ，I arranged my ideas inthe form of three clauses (1. a synthetic analysis of < Messe in h-moll > 2. the problemsof parody on < Messe in h-moll > 3. the final philosophical and aesthetic consideration).As the aim of this study is the investigation of the location of the point at issue basingon the viewpoint of symbolic expression in the study of < Messe in h-moll >，so to speak，it carries a part of an introduction to the studies of < Messe in h-moll > in the future.Concerning the studies of < Messe in h-moll > in the future， I foresee the extending overa long period， because it is a work on a grand scale of Bach's later years and its circumstancesof coming into existence is very complicated.Anyway， as for me， I schould like to continue this study little by little within the limitsof my ability. (Keyword) J.S.Bach / symbolic expression / Messe in H-moll (Tokushima University Institutional Repository) ● Metadata: 20079 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050845762393772928 (Tokushima University Institutional Repository: 20079, CiNii: 1050845762393772928)
10.	Keiichi Kataoka : A Study on the Contents of Die Bildlichkeit der wortgebundenen Musik Johann Sebastian Bachs by Arnold Schmitz, Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.4, 191-198, 1997. (Keyword) Arnold Schmitz / Die Bildlichkeit der wortgenbundenen Musik Johann Sebastian Bachs / symbolic expression (Tokushima University Institutional Repository) ● Metadata: 17507 (Tokushima University Institutional Repository: 17507)
11.	Keiichi Kataoka : On the Structure of Music-Pedagogy (as Subject in School) -A Second Study of the Opinion of Mr. Humishige YAMAMOTO-, Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.3, 113-125, 1996. (Summary) Previously，I wrote a paper"音楽科教育学の構造について-山本文茂氏の見解をめぐって"(Journal of the Faculty of Integrated Arts and Sciences，The University of Tokushima，Humanities，Tokushima，Japan pp.63-75 1992). In the paper， I investigated Mr.Yamamoto's structure-diagram of music-pedagogy (as subject in school)，and compared itwith one of myself. Through the study，I could confirm that the opinion of Mr.Yamamoto was very persuasive and it would be a very important theoretical-base for thefuture development of this learning，and my previous opinion corresponded to Mr.Yamamoto's one in many respects.After that，the book "音楽教育研究の方法と分野"written by Mr. Yamamoto was publishedon the 25th of October in 1992，which showed the compilation of his study about theproblems for the construction of music-pedagogy (as subject in school). The contents ofthis book are very much similar to his opinion which I investigated in the study "音楽科教育学の構造について-山本文茂氏の見解をめぐって"， and they are more detailed， morewell organized and can be more clearly understood than his previous studies.In this paper，I investigated the contents of the book adjusting the focus of his construction-diagram of music-pedagogy (as subject in school)， and I showed my tentative plan onthe construction-diagram of music-pedagogy ( as subject in school).My plan is fundamentally one which follows Mr.Yamamoto's opinion，but I think thatit is more organized and it has a more dynamic image than his structure-diagram.However，as my construction-diagram is written in the form of a plane figure，I shouldlike to construct the diagram in the form of a three-dimensional picture. (Keyword) Humishige YAMAMOTO / music-pedagogy(as subject in school) / structure (Tokushima University Institutional Repository) ● Metadata: 15572 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1050845762393761792 (Tokushima University Institutional Repository: 15572, CiNii: 1050845762393761792)
12.	Keiichi Kataoka : On Symbolic Expression of J.S.Bach's Works -Reflective Examination from the Aesthetic Viewpoint about a Tentative Plan of its Phasic Classification-, Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.2, 61-80, 1995. (Keyword) J.S.Bach / symbolic expression / tentative plan of its phasic classification / reflective examination and investigation from the aesthetic viewpoint (Tokushima University Institutional Repository) ● Metadata: 13737 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520290885416626944 (Tokushima University Institutional Repository: 13737, CiNii: 1520290885416626944)
13.	Keiichi Kataoka : On Symbolic Expression of J.S.Bach's Works -Reflective Examination and Investigation from the Aesthetic Viewpoint about a Tentative Plan of its Phasic Classification-, Journal of Human Sciences and Arts Faculty of Integrated Arts and Sciences The University of Tokushima, Vol.1, 91-100, 1994. (Keyword) J.S.Bach / symbolic expressin / tentative plan of its phasic classification / reflective examination and investigation from the aesthetic viewpoint (Tokushima University Institutional Repository) ● Metadata: 12017 (Tokushima University Institutional Repository: 12017)
14.	Keiichi Kataoka : On Brelet's Ideas of Musical Time, Journal of the Faculty of Integrated Arts and Sciences, The University of Tokushima (Humanities), Vol.6, 59-78, 1993. (Keyword) J.S.Bach / G.Brelet / ideas of musical time / symbol (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520009410435006080 (CiNii: 1520009410435006080)
15.	Keiichi Kataoka : On the Structure of Music-Pedagogy as Subject in School -About the Opinion Of Mr. Humisige Yamamoto-, Journal of the Faculty of Integrated Arts and Sciences, The University of Tokushima (Humanities), Vol.5, 63-75, 1992. (Keyword) music-pedagogy as subject in school / structure / Humishige Yamamoto (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520009410382838272 (CiNii: 1520009410382838272)
16.	Keiichi Kataoka : Some Problems of <Gestalt>, <Words>, and <the Visual Approach> in Music, Journal of the Faculty of Integrated Arts and Sciences, The University of Tokushima (Humanities), Vol.4, 127-150, 1991. (Keyword) J.S.Bach / Gestalt / words / the visual approach / music (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520853835341430656 (CiNii: 1520853835341430656)
17.	Keiichi Kataoka : A Consideration of < Idee Concrete>, Journal of the Faculty of Integrated Arts and Sciences, The University of Tokushima (Humanities), Vol.3, 1-19, 1990. (Keyword) J.S.Bach / symbol / idee concrete (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520009410390369664 (CiNii: 1520009410390369664)
18.	Keiichi Kataoka : About the Symbolic Theory of Music in the Book <ONGAKUBI NO KOZO> written by Mr. Mamoru Watanabe, Journal of the Faculty of Integrated Arts and Sciences, The University of Tokushima (Humanities), Vol.2, 61-76, 1989. (Keyword) the symbolic theory of music / 音楽美の構造 / 渡辺護
19.	Keiichi Kataoka : About the Concept and the Meaning of "Symbol", Journal of the Faculty of Integrated Arts and Sciences, The University of Tokushima (Humanities), Vol.1, 105-116, 1988. (Keyword) J.S.Bach / symbol / the concept and the meaning (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520290885378420992 (CiNii: 1520290885378420992)
20.	Keiichi Kataoka : A Study of the Cantata No.196<Der Herr denket an uns>(BWV196), commemoration volume of the founding of the faculty of integrated arts and sciences. the university of tokushima, 187-207, 1987. (Keyword) J.S.Bach / Cantata No.196(BWV196) / symbolic expression
21.	Keiichi Kataoka : A Study of the Cantata No.4<Christ lag in Todesbanden>(BWV4), 徳島大学学芸紀要(人文科学), Vol.35, 31-62, 1985. (Keyword) J.S.Bach / Cantata No.4(BWV4) / symbolic expression (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520009410448861952 (CiNii: 1520009410448861952)
22.	Keiichi Kataoka : a consideration from the aesthetic-side on the propriety that nusic as a course is indipendent, Journal of Gakugei Tokushima University ( Educational Science ), No.34, 39-45, 1985. (Keyword) music as a course / propriety of independence / a consideration of the aesthetic-side
23.	Keiichi Kataoka : A Study of the Cantata No.71<Gott ist mein Konig>(BWV71), 徳島大学学芸紀要(人文科学), Vol.34, 87-112, 1984. (Keyword) J.S.Bach / cantata No.71<Gott ist mein Konig>(BWV71) / symbolic expression (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520572360328462208 (CiNii: 1520572360328462208)
24.	Keiichi Kataoka : A Study of the <Quodlibet>(BWV524), 徳島大学学芸紀要(人文科学), Vol.33, 41-56, 1983. (Keyword) J.S.Bach / Quodlibet(BWV524) / symbolic expression
25.	Keiichi Kataoka : a consideration from a psychorogical side about the propriety that music as a course of studiy is independent, Journal of Gakugei, Tokushima University ( Educational Science ), Vol.32, 81-92, 1983. (Keyword) music as a course of study / the propriety of independence / a consideration of a psychorogical side (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520853834879008256 (CiNii: 1520853834879008256)
26.	Keiichi Kataoka : A Study of the Cantata No.106<Gottes Zeit ist die allerbeste Zeit>(BWV106), 徳島大学学芸紀要(人文科学), Vol.32, 25-43, 1982. (Keyword) J.S.Bach / cantata No.106(BWV106) / symbolic expression
27.	Keiichi Kataoka : A Study of the Cantata No.131<Aus der Tiefew rufe ich, Herr, zu dir>(BWV131)(Series), 徳島大学学芸紀要(人文科学), Vol.32, 15-23, 1982. (Keyword) J.S.Bach / Cantata No.131(BWV131) / symbolic expression
28.	Keiichi Kataoka : a Study of the Cantata No.131 <Aus der Tiefe rufe ich, Herr, zu dir>(BWV131), 徳島大学学芸紀要(人文科学), Vol.31, 37-62, 1981. (Keyword) J.S.Bach / Cantata No.131(BWV131) / symbolic expression
29.	Keiichi Kataoka : A Study of the <Orgelbuchlein> No.3 (Series), 徳島大学学芸紀要(人文科学), Vol.30, 51-72, 1980. (Keyword) J.S.Bach / Orgelbuchlein / symbolic expression
30.	Keiichi Kataoka : A Study of the <Orgelbuchlein> No.3 (Series), 徳島大学学芸紀要(人文科学), Vol.29, 51-73, 1979. (Keyword) J.S.Bach / Orgelbuchlein / symmbolic expression
31.	Keiichi Kataoka : A consideration of the conditions which establish a music-pedagogy as a science, 徳島大学学芸紀要(教育科学), Vol.28, 111-126, 1979. (Keyword) 音楽教育学 / 学としての成立条件 / 高久清吉 / 教授学ー教科教育学の構造ー (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520572359905984000 (CiNii: 1520572359905984000)
32.	Keiichi Kataoka : A Study of the <Orgelbuchlein> (Series), 徳島大学学芸紀要(人文科学), Vol.28, 38-58, 1978. (Keyword) J.S.Bach / Orgelbuchlein / 象徴 (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520853835370493568 (CiNii: 1520853835370493568)
33.	Keiichi Kataoka : A Study of the <Orgelbuchlein> No.3, 徳島大学学芸紀要(人文科学), Vol.27, 15-27, 1977. (Keyword) J.S.Bach / Orgelbuchlein / Symbol
34.	Keiichi Kataoka : A Study of the <Orgelbuchlein> No.2, 佐賀大学教育学部研究論文集, Vol.22, 169-221, 1974. (Keyword) J.S.Bach / Orgelbuchlein / Symbol
35.	Keiichi Kataoka : A Study of the <Orgelbuchlein> No.1 J.S.Bach's Organ-Works and the Position of the <Orgelbuchlein> in them, Sagadaigaku Kyouikugakubu Kenkyuronbunsyu, Vol.21, 272-305, 1973. (Keyword) J.S.Bach / Orgelbuchlein / Symbol (Link to Search Site for Scientific Articles) ● CiNii @ National Institute of Informatics (CRID): 1520572360350556032 (CiNii: 1520572360350556032)

Proceeding of Domestic Conference:

1.	Keiichi Kataoka : on the structure of music-pedagogy as subject in school - about the opinion of Mr. Humishige Yamamoto, Heisei3nend Nihonongakukyoikugakkai Shikokutikureikai, Feb. 1992. (Keyword) the structure of music-pedagogy as subject in school / Yamamoto Humishige
2.	Keiichi Kataoka : on the establishment of < Idee Concrete >, Heisei3nendo Zensikokudiagaku Ongakugakkai Kagawataikai, Dec. 1991. (Keyword) symbolic-theory of music / idee concrete / J.S.Bach
3.	Keiichi Kataoka : about the symbolic-theory of music in the book <ongakubi no kozo > written by Mr.Mamoru Watanabe, 昭和63年度全四国大学音楽学会徳島大会, Dec. 1988. (Keyword) Watanabe Mamoru / ongakubi no kozo / ideas of music-symbol
4.	Keiichi Kataoka : on the J.S.Bach's vocal-works in the muhlhauzen-period - frm the viewpoint of symbolic-expression -, 昭和61年度全四国大学音楽学会愛媛大会, Dec. 1986. (Keyword) J.S.Bach / the period of muhlhauzen / vocal-works / symbolic expression
5.	Keiichi Kataoka : on the conditions and the problems for the formation of < music-pedagogy as a subjekt >, 第1回日本音楽教育学会四国地区例会, Jun. 1986. (Keyword) the condition for the formation of <music-pedagogy as a subjekt > / some probems on < music-pedagogy as a subjekt >
6.	Keiichi Kataoka : 教員養成大学·学部における音楽史の授業の内容について, Syowa55nendo Nihonkyoikudaigakusoukai Dai2bukaiongakubumonsokai, May 1980. (Keyword) university or college of the teacher-training / contents of the class of music-history
7.	Keiichi Kataoka : a study of <Orgelbuchlein> - a examination and a investigation of <Tonespeach> in the book <J.S.Bach> (1965) by A.Schweitzer (1875-1965), Showa52nendo Zen Shikokudaigaku Ongakugakkai Koutitaikai, Dec. 1977. (Keyword) J.S.Bach / A.Schweitzer / Orgelbuchlein / Ton-Sprach
8.	Keiichi Kataoka : A Study of the <Orgelbuchlein> No.1 -J.S.Bach's Ogan-Works and the Position of the <Orgelbuchlein> in Them -, Syouwa48nendo Zen Kyusyu Daigaku Ongaku-Gakkai, Jul. 1973. (Keyword) J.S.Bach / Orgelbuchlein / organ-works
9.	Shigeo Maruyama and Keiichi Kataoka : G.Mahler : Lieder eines fahrenden Gesellen, Shyowa 47nendo zen Kyusyu Daigaku Ongaku Gakkai, Dec. 1972. (Keyword) Maruyama Shigeo / tenor solo / piano accompaniment
10.	Keiichi Kataoka : A Study of Johann Gttofried Walther - from a main Viewpoint of musica poetica -, 昭和46年度全九州大学音楽学会, Dec. 1971. (Keyword) Johann Gottfried Walther / musica poetica

Products:

1.	Study-Room Daigaku Kyouiku Gakubu Music Toikushima and Keiichi Kataoka : A. Corelli (Work) / Ogyu Tutom (Arrangement) :<Allegro> and others, Tokushima Daigaku Kyouikugakubu Music Study-Room Dai15kai Regular-Concert, Sep. 1976. (Keyword) Tokushima Digaku Music Studey-Room Dai15kai Regular Concert / Conduct of Recorder-Ensemble
2.	<Liederkreis> Chorus-Group Tokushima-Daigaku and Keiichi Kataoka : Yzawa Sai (Text) / Hagiwara Hidehiko (Composition) : <Hotaru wa Hoshi ni natta> from <HIkaru Sabaku> and others, Tokushima Daigaku Chorus-Group <Liederkreis> Dai13kai Regular Concert, Dec. 1975. (Keyword) 徳島大学合唱団<リーダークライス>第13回定期演奏会 / piano-accompaniment
3.	<Liederkreis> Chorus-Group Tokushima-Daigaku and Keiichi Kataoka : Yazawa Sai (Text) /Hgiwara Hidehiko 'Composition) :<Hotaru wa Hoshi ni natta> and oters from <Hikarusabaku>, Dai15kai Shikoku Gassyou Concours, Nov. 1975. (Keyword) 第15回四国合唱コンクール / 徳島大学合唱団<リーダークライス> / piano-accompaniment
4.	Yasuo Matumoto and Keiichi Kataoka : G.Verdi : Simon Boccanegra and others, Dai15kai Sagaken Geijyutusai Summer-Concert, Aug. 1974. (Keyword) Dai15kai Sagaken Geijyutusai Summer-Concert / Matumoto Yasuo / piano-accompaniment of baritone-solo
5.	Yasuo Matumoto and Keiichi Kataoka : R.Strauss : Zueignung and others, Dai2kai Kunitati Concert, Aug. 1973. (Keyword) Dai2kai Kunitati Concert / Matumoto Yasuo / the piano accompaniment of baritone-solo
6.	Shigeo Maruyama and Keiichi Kataoka : R.Schumann : Liederkreis and otehrs, Dai7kai Maruyama Shigeo Tenor-Solo Concert, May 1973. (Keyword) Maruyama Shigeo / the concert of tenor-solo / piano accompaniment
7.	Yasuo Matumoto and Keiichi Kataoka : F.Schubert: Doppelgaenger and others, Dai1kai Kuhnitati Concert, Aug. 1972. (Keyword) 第1回くにたちコンサート / Matumoto Yasuo / piano accompaniment of baritone-solo

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Professor Emeritus : Kataoka, Keiichi

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Grants-in-Aid for Scientific Research (KAKEN Grants Database @ NII.ac.jp)