徳島大学 / 教育研究者総覧 --- シートゲスオラフ

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徳島大学 ⟩ 大学院社会産業理工学研究部 ⟩ 社会総合科学域 ⟩ 国際教養系 ⟩ 英語圏分野 ⟩
徳島大学 ⟩ 総合科学部 ⟩ 社会総合科学科 ⟩ 国際教養コース ⟩
徳島大学 ⟩ 創成科学研究科 ⟩ 地域創成専攻 ⟩

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研究活動

専門分野

○
○	Japanese Literature (Murakami Haruki Studies), German Literature, Japanese Cinema, Spatial studies, German as Foreign Language

研究テーマ

○	(文学 (literature))
○

著書・論文

著書:

1.	Olaf Schiedges : Die Raumordnung in ausgewaehlten Romanen des japanischen Schriftstellers Murakami Haruki, --- Beitraege zur kulturwissenschaftlichen Sued- und Ostasienforschung (6) ---, Ergon Verlag, Wuerzburg, 355 S., Oct. 2016. (キーワード) Japanese literature / Murakami Haruki / Cultural theory / Spatial theory

学術論文(審査論文):

1.	Olaf Schiedges : Jurij Lotmans Theorie der Raumsemantik als methodischer Beitrag zur Analyse literarischer Texte, Beitraege zur Deutschen Literatur, Kultur und Sprache, No.56, 21-37, 2023.
2.	Olaf Schiedges : A Spatial Approach to the Fictional World of Murakami Haruki, In Statu Nascendi - Journal of Political Philosophy and International Relations, Vol.5, No.1, 185-193, 2022.
3.	Olaf Schiedges : Intermediales Erzaehlen am Beispiel des Grossstadtromans "After Dark" (2004) des japanischen Schriftstellers Murakami Haruki, Bulletin of the Foreign Language Center Tokai University, No.35, 37-48, 2014. (キーワード) 日本文学 / 村上春樹 / メディア理論
4.	Olaf Schiedges : Franz Kafka und die Rolle der Medien im Roman "Das Schloss", Bulletin of the Foreign Language Center Tokai University, No.34, 73-82, 2013. (キーワード) ドイツ文学 (German literature) / フランツ・カフカ / メディア理論
5.	Olaf Schiedges : Zur Translation bildlicher Rede vom Deutschen ins Japanische am Beispiel des Romans "Komm, suesser Tod" (1998) von Wolf Haas, Studien zur deutschen Literatur und Sprache, Japanische Gesellschaft fuer Germanistik, No.40, 103-124, 2009. (キーワード) オーストリア文学 / 翻訳

学術論文(紀要・その他):

1.	Olaf Schiedges : Zur Theorie des filmischen Raums (Teil 2), Journal of Language and Literature, Vol.31, 53-110, 2023.
2.	Olaf Schiedges : Zur Theorie des filmischen Raums (Teil 1), Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, Vol.30, 13-54, 2022. (要約) This article is the first part of a two-part text that aims to introduce film theorists who attempted to make the phenomena of cinematic space theoretically comprehensible. Hugo Münsterberg (1863-1916), Erwin Panofsky (1892-1968) and Vsevolod Pudovkin (1893-1953) were theorists who have experienced the spread of film from the beginning and have dealt with the significance of film for culture and society. The means of montage was of particular interest in early theoretical considerations because it had been recognised that the filmmaker can manipulate space and time by means of montage. Bela Balazs (1884-1949) was concerned with recognising film as popular art that creates culture which, in his view, permeates reality and contributes to the emergence of a visual culture. Walter Benjamin (1892-1940) believed that the social significance of film lies in a change in collective perception. Rudolph Arnheim (1904-2007) was interested in phenomena such as surface and depth, which he viewed from the perspective of Gestalt psychology. He emphasised the spatial autonomy of film compared to theatre, which would only be maintained as long as film did not attempt to create a second real space. For Siegfried Kracauer (1889-1966), film was always a special form of reality, which is why he was concerned with the representation of physical reality through the cinematic medium, as well as with the question of what attributes ultimately constitute a film. The article ends with a look at André Bazin's (1918-1958) understanding of cinematic space. For Bazin, who regarded the deformation of space as a fundamental characteristic of film realism, characters, objects, and events are always parts of the cinematic space. One can banish every reality from the film image, Bazin stated, except one: that of space. (徳島大学機関リポジトリ) ● Metadata: 117881 (文献検索サイトへのリンク) ● CiNii @ 国立情報学研究所 (CRID): 1050294562444023552 (徳島大学機関リポジトリ: 117881, CiNii: 1050294562444023552)
3.	Olaf Schiedges : Der japanische Film - Von der amerikanischen Besatzung bis zur Gegenwart, Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, Vol.29, 79-146, 2021. (徳島大学機関リポジトリ) ● Metadata: 116644 (徳島大学機関リポジトリ: 116644)
4.	Olaf Schiedges : Der japanische Film : Von der Einführung des Mediums bis zum Ende des Zweiten Weltkriegs, Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, No.28, 47-138, 2020. (要約) The article first covers pre-war silent film in Japan and describes the introduction of the new medium at the beginning of the 20th century. The main focus is on the relationship between Japanese silent films and traditional theater, the role of film narrators (benshi) and the attempts of Japanese filmmakers to establish film as an independent art. The article then moves on to the further development of Japanese films about historical (jidaigeki) and contemporary society (gendaigeki), containing analysis of different film genres such as Japanese tendency films (keikô eiga) which were a reaction to the worsening economic situation of large parts of the Japanese population at the end of the 1920s. The text then deals primarily with the introduction of sound in film and the further development of the Japanese film industry during the 1930s, while the counrtry underwent a political radicalization and militarization which led to the participation of Japan in World War 2. Finally, the text analyses the circumstances under which the Japanese film industry produced films during World War 2 when film production was severely restricted by the guidelines of state censorship. (徳島大学機関リポジトリ) ● Metadata: 115556 (文献検索サイトへのリンク) ● CiNii @ 国立情報学研究所 (CRID): 1050850569096683648 (徳島大学機関リポジトリ: 115556, CiNii: 1050850569096683648)
5.	Olaf Schiedges : Über den Übersetzer Murakami Haruki, Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, No.27, 63-98, 2019. (要約) Murakami Haruki is very well known as a popular writer in the world. But in Japan, where translation has a long history and translated literature had always a great impact on the national literature, he is also famous as a translator of works of American writers. For Murakami translation was a very important means to find his own writing style. This paper is focusing on Murakami's role as a translator by taking a closer look at the mutual relationship of writing and translating in Murakami's work. Murakami's translation of J. D. Salinger's novel "Catcher in the Rye" will serve as an important example of this relationship. (徳島大学機関リポジトリ) ● Metadata: 114148 (文献検索サイトへのリンク) ● CiNii @ 国立情報学研究所 (CRID): 1050564289223191296 (徳島大学機関リポジトリ: 114148, CiNii: 1050564289223191296)
6.	Olaf Schiedges : Das gespaltene Ich - zur dissoziativen Identitaetsstoerung literarischer Figuren in den Texten des japanischen Schriftstellers Murakami Haruki, Journal of Language and Literature, Faculty of Integrated Arts and Sciences, The University of Tokushima, Vol.26, 35-71, 2018. (キーワード) 村上春樹 / 日本文学 / 精神分析上の文学研究 (徳島大学機関リポジトリ) ● Metadata: 112889 (徳島大学機関リポジトリ: 112889)
7.	Olaf Schiedges : Zum Einsatz von Sprachlernspielen im Deutschunterricht, The Report of the Foreign Language Center Tokai University, No.33, 61-68, 2013. (キーワード) ドイツ語教育
8.	Olaf Schiedges : Ueber Moodle im Deutschunterricht an der Tokai Universitaet, The Report of the Foreign Language Center Tokai University, No.32, 67-76, 2012. (キーワード) ドイツ語教育 / ムードル
9.	Olaf Schiedges : Zur Rolle von Strategien in Pruefungen im Bereich Deutsch als Fremdsprache (DaF) - am Beispiel des Oesterreichischen Sprachdiploms Deutsch (OeSD), The Report of the Foreign Language Center Tokai University, No.30, 41-50, 2010. (キーワード) ドイツ語教育 / ドイツ語能力試験
10.	Olaf Schiedges : Zur strategischen Kompetenz im Unterricht Deutsch als Fremdsprache, Bulletin of the Prefectural University of Aichi, No.42, 251-273, 2010. (キーワード) ドイツ語教育
11.	Olaf Schiedges : Der "internationale" Stil von Murakami Haruki, Bulletin of the Prefectural University of Aichi, No.41, 255-277, 2009. (キーワード) 日本文学 / 村上春樹
12.	Olaf Schiedges : Das Phaenomen der Zweituebersetzung - Am Beispiel eines Romans von Murakami Haruki, Bulletin of the Prefectural University of Aichi, No.40, 275-302, 2008. (キーワード) 日本文学 / 村上春樹 / 翻訳
13.	Olaf Schiedges : Schriftsteller als Uebersetzer - am Beispiel des japanischen Schriftstellers Murakami Haruki, Bulletin of the Prefectural University of Aichi, No.39, 297-323, 2007. (キーワード) 日本の文学 / 翻訳理論
14.	Olaf Schiedges : Aspekte der Postmoderne in dem Roman "Wilde Schafsjagd" von Murakami Haruki, Bulletin of the Prefectural University of Aichi, No.38, 253-280, 2006. (キーワード) 文学 (literature) / ポストモダン理論

国内講演発表:

1.	Olaf Schiedges : Zur Struktur des Raums in den Texten von Murakami Haruki, Zentrum für Japan Studien in Kyoto/Deutschsprachige Japanologie in Kansai, Jul. 2017.
2.	シートゲスオラフ : 村上春樹というグローバル文学, 高知県立大学文化学部国際日本学レクチャーシリーズ第39号, 2016年11月. (キーワード) 日本文学 / 村上春樹
3.	シートゲスオラフ : ドイツ語教育と異文化理解について, 2015年6月. (キーワード) ドイツ語学習 / 異文化理解
4.	シートゲスオラフ : ムードルと外国語学習, 2011年1月. (キーワード) ムードル / 外国語としてのドイツ語
5.	シートゲスオラフ : インターネットを取り入れた充実した学習環境作り, 2009年11月.
6.	Olaf Schiedges : Aspekte von Pruefungen und Unterricht - Das oesterreichische Sprachdiplom Deutsch, 日本独文学会秋研究発表会, Oct. 2009. (キーワード) 外国語としてのドイツ語 / 外国語検定試験
7.	Olaf Schiedges : Japanische Literatur in Deutschland - Deutsche Literatur in Japan, Jun. 2007.
8.	Olaf Schiedges : Japanische Literatur in Deutschland - Am Beispiel von Murakami Haruki, Oct. 2004. (キーワード) 日本文学
9.	Olaf Schiedges : Merkmale des Deutschunterrichts mit Aussiedlern, Jul. 2004. (キーワード) 外国語としてのドイツ語

報告書:

1.	Olaf Schiedges : Merkmale des Oesterreichischen Sprachdiploms (OeSD), Studien zur Deutschen Sprache und Literatur, Japanische Gesellschaft fuer Germanistik, No.41, 81-95, Oct. 2010. (キーワード) ドイツ語教育 / 検定試験
2.	Olaf Schiedges : Das oesterreichische Sprachdiplom Deutsch (OeSD), Lektorenrundbrief, No.37, 7-8, May 2010. (キーワード) ドイツ語検定試験

科学研究費補助金 (KAKEN Grants Database @ NII.ac.jp)

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